Rest in Pieces: Decolonial Remedies for Fractured Histories
Marina and Irini slam the hammer on the museological methods of collecting, archiving and exhibiting historical objects to assess their...
Art, Cyprus and the Spirits of Our Time
Ioulita’s text investigates the concept of the “zeitgeist” and how it is manifested through art, in the context of Cyprus....
Seeking Roots in Cyprus
Cyprus, a small island in the Mediterranean, is currently wrought with political corruption charges and devastating gentrification tactics. In an...
What is queer fear? Queering fear in uncertain times
In this in-depth feature, Dominic explores queer fear by addressing the weight, symbolism and etymology of the word 'queer' and...
Speculative Pillars: Online art viewing and the white cube curse
After the art world has been forced to shift online, what are the challenges and shortfalls of online exhibiting? How...
Instagram can be a dangerous minefield for artists
From soul-killing comparison to feelings of inadequacy, the downsides of Instagram clash with the numerous career benefits and opportunities for...
An Astronomer Without Stars: An Art Critic Takes the Measure of Those We’ve Lost
Along with more than 1.77 million lives (and counting), COVID-19 has taken the lives of some of the world’s greatest...
Floating through gardens: WADS and its states of potentiality
Evagoria (Eria) visited the digital garden of WADS - a virtual exhibition part of Ars Electronica's Kepler's Gardens featuring 21...
A snail’s pace as paradigm: Eduardo Navarro’s “Breathspace” at Gasworks
A visit to Eduardo Navarro’s Gasworks exhibition raises Claudia’s awareness of the unsustainable pace regulating art workers, the responsibility of...
Technology and the Body at the Goldsmiths MFA Degree Show
How does our physicality affect our experience of art? Natasia examines the crossovers between art, technology, and the body at...